Monday, November 9, 2015

Edwardian Kitchens

Kitchens in Edwardian Styles

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external image Edwardian-kitchen-animation.gif

Brief Kitchen History

The earliest "civilised" kitchens were often located in a separate room at the rear of the house.
  • There were open fires, food hung from massive rafters and cooking utensils consisted of clay pots and stoneware.
  • For the wealthy and upper-class, kitchens were dirty places to stay away from.
  • 1906 kitchen
    1906 kitchen
  • By the early 1900s, gas cooking and electricity was invented, and clean water had became prevalent.
  • It was also the first time people were introduced to refrigerators, boilers and ovens.
  • With the industrial revolution and introduction of production line into factories, efficiency became sought after in working environments, the kitchen included.
The galley kitchen, an ideal efficient kitchen design from Austria
The galley kitchen, an ideal efficient kitchen design from Austria
Vintage Look Hand-built quality cabinets for kitchen, bath, and other rooms.
Vintage Look Hand-built quality cabinets for kitchen, bath, and other rooms.
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modern chefs galley kitchen, with stained glass window, turned columns, ornamented furniture, Inglewood WA
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An original Edwardian kitchen at Lurnea, 85 Oxley Road Hawthorn


The introduction of gas, water, and electricity to homes in the 19th and early-20th century changed the way Edwardian people lived and cooked.
Water supply comes to the kitchen
Water supply comes to the kitchen
Butler's sink in an "Industiral meets rustic" kitchen style
Butler's sink in an "Industiral meets rustic" kitchen style
Classic Kitchen With Butler Sink
Classic Kitchen With Butler Sink
Country kitchen with Belfast sink
Country kitchen with Belfast sink

Water

Interior view of a kitchen in 1906
Interior view of a kitchen in 1906

The widespread installation of running water in the 19th century provided a huge boon to kitchens, because now sinks became a focal point of the kitchen.
Large enough to carry out all manner of water-related activities, the kitchen sink was huge, heavy and almost immovable, giving rise to the colloquial phrase ‘everything but the kitchen sink’.

Gas

Gas pipes provided both light and heat in the house (as well as the occasional explosion or fire), making cooking an easier task and allowing ovens to become smaller and lighter.

Brick-and-mortar stoves fired with coal remained the norm until well into the second half of the nineteenth century. 
  • Pots and kitchenware were typically stored on open shelves, and parts of the room could be separated from the rest using simple curtains.new stoves with their smoke outlet no longer required a high ceiling in the kitchen.
  • The kitchen floors were tiled; kitchenware was neatly stored in cupboards to protect them from dust and steam.
  • A large table served as a workbench; there were at least as many chairs as there were servants, for the table in the kitchen also doubled as the eating place for the servants.

Electricity

When electricity was adopted in some pioneering Australian towns, it made kitchen life increasingly more comfortable and stimulated the invention of time-saving kitchen appliances over the coming decades. In fact, the first electric cooking stove, otherwise known as the Kalgoorlie Stove, was patented by West Australian resident and municipal engineer David Curle Smith in 1905.
 The Hoosier cabinet
The Hoosier cabinet


Interior view of a kitchen in 1906; photo appeared in Beautiful Homes, Wunderlich, Sydney 1906, p.29; photo by Wikimedia Commons user SLQbot courtesy of John Oxley Library, State Library of Queensland
Julie Ranee Photography


Storage and bench space

A greater interest in how to increase efficiency and promote time-saving methods in factory production (think the Ford Model T motor car and invention of the factory assembly line) flowed into kitchen design as well.

Early kitchens had very little bench space or storage because kitchen cabinets (built-in or otherwise) were not yet in production for the home.

In 1899, the Hoosier Manufacturing Company (USA) adapted the existing baker’s cabinet into the freestanding metal Hoosier Cabinet. It had space-saving and functional features like upper and lower cabinetry, shelving, a flour bin/sifter and pull-out work surface. The Hoosier cabinet was compact yet large enough to provide adequate storage and make working in the kitchen that much more efficient.

Early Kitchen Cabinetry

In Australia, the Hoosier (or one of its variations) soon became a kitchen staple, described in 1918 in The Farmer and Settler as the “principal item of kitchen furniture”, along with the cooking stove. 

Other features of kitchen design recommended in The Farmer and Settler included:
  • White tiled-walls to keep the kitchen “clean, cool, and comfortable”
  • A “Wedgewood blue” wash above the tiles and patterned linoleum floor to match
  • A rack to display saucepans that if “well chosen and carefully treated, add considerable attractiveness to a kitchen”
    Kitchen design with Hoosier style cabinet at left
    Kitchen design with Hoosier style cabinet at left

The Edwardian Kitchen

Posted on July 9, 2011Evangeline Holland / Posted in home

Ideal Kitchen
Ideal Kitchen
The kitchen was not a place where design details were considered important to a home owner, but to the housewife, the cook, and the chef de cuisine of a large hotel, its layout and equipment were of the utmost importance. In the 1907 edition of Mrs. Beeton’s Household Management, noted that the requisites of a good kitchen were:
  1. Convenience of distribution in its parts, with largeness of dimension
  2. Excellence of light, height, and ventilation
  3. Easy of access, without passing through the house
  4. Walls and location so arranged that the odours of cookery cannot spread about the house (the Victorians and Edwardians had a phobia of kitchen smells!)
  5. Plenty of fuel and water, which, with the scullery, pantry and storeroom, should be so near the kitchen as to offer the smallest possible trouble in reaching them.

The issue of sanitation was also one of importance, and it was advised that walls be made of white glazed tiles and floor coverings of oil-cloth and linoleum.

  • However, this varied depending on the architecture of area–for example, flags of smooth stone were cemented together to form a smooth floor in the north of England, the kitchen floor usually consisted of unglazed red tiles in the Midlands, and on the east coast, floors were frequently laid with red or yellow bricks.
  • Kitchen fixtures were simple and utilitarian, and a well-constructed sink of either wood lined with zinc, stoneware, or lined with cemented tiles were recommended.
Old Victorian or Edwardian coal-fired kitchen range, also known as a kitchener.
Old Victorian or Edwardian coal-fired kitchen range, also known as a kitchener.


A large work table was the most important article of furniture, and the drawers at each end contained the cook’s tools, such as knives and spoons, and small utensils and implements in constant use.

The last, but by far the most important of the kitchen requisites was the kitchen range, or kitchener, which was used for cooking, heating water, and so on. 
  • The kitchen range was a range, either open or closed, that was fixed in its place with brickwork,
  • the kitchener was a range entirely independent of its surroundings and stood on four legs,
  • the gas range or stove was similar to the kitchener, but was, of course, run with gas.
  • Oil stoves and cooking by electricity were also popular options, though the latter was incredibly expensive to run.
Victorian kitchen stove, sink and cabinetry
Victorian kitchen stove, sink and cabinetry
Victorian Kitchen Stove
Victorian Kitchen Stove
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Kitchen Utensils


A kitchen in tip-top form always contained a full array of utensils.
  • There were the stewpans and saucepans of tin, copper, brass, enameled iron, and wrought steel; the boiler for boiling large joints, hams, and puddings; the digester, a small stock pot; the stock pot itself; the braising pan; the double or milk saucepan (a small bain-marie); steamers; fish-kettles; fish fryers; the frying pan; the bain-marie; the dripping pan; the gridion; and the dutch oven.
  • Other must-have utentils were weights and scales, a mincing machine, steak tongs, knives, a colander, a pestle and mortar, a chopping board and bowl, preserving pans, sieves, coffee and pepper mills, baking dishes, tartlet pans, vegetable cutters, an egg poacher, freezing machines, water filters, refrigerators, etc.


'Modern' Kitchen Cabinetry

From Core77
In 1892, a 33-year-old cabinet maker named Friedemir Poggenpohl opened his own workshop and an adjoining furniture store in Bielefeld, Germany, focusing on kitchen cabinetry. Uniquely, he produced kitchen cabinets not only in wood, but in a white lacquered finish. 
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From separate units to complete cabinetry
From separate units to complete cabinetry
Friedemir Poggenpohl passed away in 1924, but thankfully he left behind a capable design and production staff that would continue to push the envelope. 
  • In 1928, one year before Austrian architect Margarete Schütte-Lihotzky essentially invented the galley kitchen, Poggenpohl's company introduced the "Reform Kitchen," seen above.
  • It's not yet a complete kitchen like Lihotzky's (galley) Frankfurt Kitchen, but the interconnected cabinet modules, polished white lacquer and Modernist aesthetic were eerily prescient.

Two years later Poggenpohl refined their lacquering technique into what they branded "Zehner-Schleiflack" (literally translated, "ten varnish"), which used ten processes to lay down an unparalleled surface quality. 
  • It was 1930 and Poggenpohl was probably producing the finest kitchen surfaces in the world. Prior to this, kitchen surfaces were predominantly wood, which of course aged and grew stained over time. Poggenpohl's innovation of this era turned the kitchen into a place of visual cleanliness, making it look more like a hospital rather than a workshop.

Arts and Crafts kitchens

Arts and Crafts Kitchens are identified by simple lines, rugged construction, and very little excess ornamentation.
  • The style is often associated with American styles: MissionShaker, and Craftsman designs, although there are some historical differences between them.
Arts and Crafts Style Kitchen
Arts and Crafts Style Kitchen

This Arts and Crafts style kitchen features traditional cabinets in quartersawn white oak, white countertops, craftsman green accents on the walls and splashback and a sizable kitchen island with a large prep sink.
The Arts and Crafts movement began in England around 1890 in response to the overly ornate, assembly line furniture of the time. The movement focused on aesthetic simplicity, talented craftsmanship, and impeccable quality.
  • Arts and Crafts kitchen design relies on straight lines and heavy proportion. It bears some resemblance to Gothic, Shaker, and Oriental designs.
  • The American style often features Mission or Shaker door styles, iron or brass hardware, and Quartersawn Oak cabinets. Other appropriate woods include Ash, Birch, Cherry, Hickory, and Maple.
  • Arts and Crafts cabinets, built properly, feature dovetailed drawer boxes, mortise and tenon joinery, and rugged hand-made construction. The ultimate goal is functional, well-built, and enduring cabinetry, built like an heirloom piece of Stickley furniture. Read more:

Revival Kitchens

from http://artsandcraftshomes.com/revival-kitchens/
by PATRICIA POORE on AUGUST 27, 2013 
A breakfast pavilion blends indoors and out in a new house
A breakfast pavilion blends indoors and out in a new house
A breakfast pavilion blends indoors and out in a new house by Garcia Teague Architecture. Tiles are in the style of Batchelder. Photo: Linda Svendsen
Most bungalows, American Foursquares, and Tudor Revival houses had kitchens built for use by the housewife (not just servants). Kitchens may have been small but they were integrated into the main floor plan, and they had built-ins and electricity. Putting a sympathetic new kitchen into these houses is easier than remodeling a colonial or Victorian one.
Craftsman design is an evolving vocabulary
Craftsman design is an evolving vocabulary
Do you want a true bungalow-era kitchen, or are you leaning toward a fancier kitchen of the Arts & Crafts Revival? Original kitchens were often small, plain, and utilitarian—with a floor of linoleum, softwood, or tile, a wainscot of beadboard or white tile, and simple painted cabinets. This is an easy and affordable room to re-create, even when you upgrade the hardware and lighting.

Revival kitchens reflect the changing role of the kitchen since the bungalow era. The kitchen is no longer a utility room, but the center of the house. It may have a second prep area, a wet bar, a home office, a breakfast area, and a television. Then and now, related rooms include a back hall or mudroom, a bathroom, and one or more pantries. If you are building a new home or extensively remodeling an old one, it makes sense to build a more public and finished kitchen.
Period-inspired new kitchen
Period-inspired new kitchen


Common sense should prevail: why spring for professional appliances if you eat out five nights a week and use a microwave on the other two? On the other hand, if you’re always in the kitchen making a mess, don’t use fussy and hard-to-clean details and materials. That said, revival kitchens are often beautiful spaces with furniture-quality cabinets accented by art tile, handsome light fixtures, forged and cast hardware, and decorative textiles.

Suggestions, Not Rules

Over the years, kitchen designers and our editors have often repeated this advice to those planning a kitchen renovation or addition.

• Keep it in scale! You don’t want it to look like an estate kitchen with a bungalow attached. Stay on the original footprint, perhaps borrowing space from a back hall or pantry. Additions should be proportionate to the house; sometimes just a few feet, bumped out on the rear or side of the house and with windows for extra light, is enough.
A new kitchen in a 1915 Prairie School house.
A new kitchen in a 1915 Prairie School house.



• Simple is often better. First of all, the room will have a more timeless “period kitchen” look if details are borrowed from historic kitchens, or the pantry or hall—rather than copied from high-style details in the dining room. Second, a simple kitchen is easier to clean!

• Use several different counter surfaces
That’s more historical than installing linear yards of matching laminate or granite—and it’s practical. Pick something nonporous near sink and stove, butcher-block for prep, perhaps a marble slab for baking or pizza making. You may even be able to save on remnant or salvaged material for small areas.

• To get a timeless room that doesn’t follow fads, don’t go all-white or all-black; do consider black and white plus color. (Black soapstone or granite with creamy painted cabinets is a winning combination.) Use some naturally finished wood for the floor, cabinets, or a piece of kitchen furniture. Add color with tiles, wall paint, a retro stove, or collectibles.

Putting Back a Period Kitchen

by DONNA PIZZI on JANUARY 15, 2013 in KITCHENS & BATHROOMS

http://artsandcraftshomes.com/putting-back-a-period-kitchen/
Right: The antique work table was rebuilt and enhanced with a shelf; the door to its left is a pass-through for milk bottles.
All photos by Blackstone Edge Studios

Wood countertops surround a copper sink.
Wood countertops surround a copper sink.
The antique work table was rebuilt and enhanced with a shelf; the door to its left is a pass-through for milk bottles.
The antique work table was rebuilt and enhanced with a shelf; the door to its left is a pass-through for milk bottles.
Untouched and unusable, a kitchen in Portland, Oregon, is sympathetically remodeled with elements of the 1910s.
In the pantry, wood countertops surround a copper sink. A dishwasher is hidden behind false drawer fronts. The “flipper doors” under the sink add a period touch.

The Youngs were living in a smaller house back in 1986 when the house next door, a three-story Foursquare built in 1909, went on the market. The once-fine, six-bedroom home had become a rooming-house in the 1940s. When they toured it out of curiosity, Sig Young remembers thinking, “Glad it’s not ours—too much work!”

... “The back kitchen had been virtually untouched since the 1920s,” Jack says. It was one big room with no built-ins or cabinets and, oddly, a 6½’-long sink that blocked the basement door.

  • A separate butler’s pantry had been the functioning kitchen since the 1970s.
  • “We agonized over what to do for years,” says Jack.
  • Meantime, they removed wallpaper in the dining room, revealing signs of the original built-ins.
  • Jack, who is a talented woodworker, rebuilt them with wood countertops.
The new floorcloth was copied from a remnant of old linoleum.
The new floorcloth was copied from a remnant of old linoleum.
Vintage canisters on the old stove add color.
Vintage canisters on the old stove add color.
A vintage toaster in the pantry.
A vintage toaster in the pantry.
“It was exciting because the kitchen was so intact, including a milk pass-through and scored plaster walls,” says Karla, who suggested they bring in designer Matthew Roman and general contractor Mike Edeen of Artisan Woodworks. The three would collaborate to make the space usable, yet keep the feel of a 1910s kitchen.
“When Matthew returned with drawings of the butler’s pantry that included glass-front cabinets and wooden counters like the ones I’d built for the dining room,” Jack remembers, “I said, ‘Wow!’”
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An old porcelain sink on legs, smaller than the huge one found in the kitchen, allows access to the door to the back porch.

For the back kitchen, Roman had designed a full wall of cabinets to hide a refrigerator and a pullout pantry. Jack had entertained just such an idea, but “I didn’t have a clue how to do it.” Roman’s drawings had sealed the deal.

Jack and one of his sons tackled the demolition work, carefully recycling elements for another kitchen in the basement. To bring the original electrical junction box up to code, it had to be accessible. Jack devised a door handle from vintage electrical knife switches, which are found in abundance at Old Portland Salvage. (The building inspector was awed: “That’s so cool!” he said.)

A remnant of colorful linoleum was uncovered at the bottom of the old dumbwaiter (which had brought stove wood up from the basement). Sig contacted Gracewood Design to see if the design could be re-created on a canvas floorcloth. “We’d seen their ad in Arts & Crafts Homes,” Sig says, “but we didn’t realize they were right here in Portland!” The finished product was dubbed ‘Signoleum,’ and when a derivative version was painted for the butler’s pantry, it was called ‘Signoleum, Too.’

This wall originally held a dumbwaiter and utility closet.
This wall originally held a dumbwaiter and utility closet.

This wall originally held a dumbwaiter and utility closet. Owner Jack Young built the library ladder from a kit; it allows access to the upper pantry cabinets.

Contractor Mike Edeen stripped the tall baseboards and repaired the plaster. He refinished fir floors found beneath layers of vinyl and enhanced the room’s trim. Then he built the period-inspired cabinets.
“Mike is such a skilled craftsman,” says Karla Pearlstein, “that he can take Matthew’s drawings and articulate the subtleties.” Sig and Jack say they couldn’t be happier with how it all turned out.

Edwardian Style Kitchen Redesign

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Custom copper and stainless steel La Cornue range in the bespoke kitchen
Custom copper and stainless steel La Cornue range in the bespoke kitchen
Italian Black Basalt stone used to craft the cool shelves in the kitchen
Italian Black Basalt stone used to craft the cool shelves in the kitchen
external image wodehouse-quarter-round-classic-edwardian-kitchen-04.jpgexternal image in-frame-shaker-edwardian-kitchen-01.jpg

A Classic Kitchen for an Edwardian Renovation

The homeowner-architect designed his new kitchen in an eclectic British Edwardian style, inspired by the work of Voysey and other designers of the period. By Patricia Poore | Photos by John Grove
From Old house Online
Refrigerator, sink and range form the work triangle, while the island functions as a prep area.
Refrigerator, sink and range form the work triangle, while the island functions as a prep area.
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Sources
  • Architect John Malick & Associates
  • Range Lacanche 52″ ‘Cluny’
  • Refrigerator Kenmore with built-in French-door: kenmore.com
  • Sinks & Faucets Rohl: rohlhome.com
  • Cabinets John Fitch: johnfitchconstruction.com
  • Countertops Calacatta marble
  • Island top Concreteworks: concreteworks.com
  • Pendant fixture antique
Concealed lighting casts a glow behind the arch and beneath cabinets.
Concealed lighting casts a glow behind the arch and beneath cabinets.
external image 1_Malick_kitchen.jpg
Over the years, architect John Malick and his wife, Sue, have seen their house evolve.
  • With an empty nest, they decided to absorb two former bedrooms into a larger kitchen—without changing the footprint.
  • The 50-year-old house sat on a narrow lot in Piedmont, California; buying the adjacent lot allowed them to plan outdoor space at the rear.
  • Now the breakfast room opens to a lawn and garden. The new kitchen is generous—over 10′ x 16′, and filled with light.

In renovating the house, Malick leaned toward an eclectic British Edwardian style, and the kitchen is in the same vein.

  • The work of C.F.A. Voysey and other designers of the period inspired moldings and the gently arched openings.
  • The layout, which is balanced but not strictly symmetrical, is organized around a central island.
  • The green-painted cabinets and stile-and-rail paneling that covers wall surfaces plays against the lawn and hedges seen through windows on three sides of the room.
  • “I get a lot of inquiries about the paint color,” Malick says. “The green was custom-mixed on site; its depth makes it highly responsive to light.” In neutral light, he says, it’s a subtle mint color; indoor lighting warms it. The room is further brightened by light reflected off the Calacatta marble used for countertops, steps, and stove hood. Underfoot, concrete floor tiles cast from an antique arabesque pattern add movement.

Each window is framed by casework that extends to the countertop.

  • Recessed down lights are concealed behind arches, both over the sink and highlighting clerestory windows above cabinets.
  • In a shallow nook just outside the busy work triangle, a built-in desk overlooks the garden, flanked by shelves for cookbooks.
  • A large opening next to the desk connects the kitchen to the breakfast and family room.


References

Friday, November 6, 2015

Millers Point Apartments

Four Federation Heritage Apartments with Barangaroo views

[Previous Page: Generational Federation houses ... Next page:]
 

18-20 Munn Street, Millers Point NSW 2000

c1910 block of Four Heritage Apartments - $5.5m unrenovated

external image Millers_Point_Animation.gif
Nov 5, 2015 Jennifer Duke
On Thursday 5th October 2015, a block of four apartments at 18-20 Munn Street sold to an investor for $5.5 million, McGrath Edgecliff sales agent Richard Shalhoub​ said
  • “Prices are doing very well in Millers Point, but it takes more than just the purchase price – many of the homes need substantial [conservation] restorations and buyers are not scared to spend on these homes,” Mr Shalhoub said.
  • A significant proportion of interest in the prospects of the area has come from investors, particularly as a result of the booming Barangaroo precinct, and home buyers are also out in force looking for the “old charm” of the heritage homes, he said.
A block of four apartments on Munn Street sold for $5.5 million. Photo: Supplied
A block of four apartments on Munn Street sold for $5.5 million. Photo: Supplied

“As soon as the government started with the sell-off 18 months ago, it brought a completely new product to the market,” he said.
  • As a result of the scarcity, no robust data is available on the median house price prior to 2015.
  • “Buying a terrace home in the city was almost unheard of [prior to the government sales], which has brought in buyers not just locally but from all different areas. It’s a unique proposition for investment as well,” he said."

Millers Point joins ranks of Sydney prestige suburbs

The state government’s sell-off of public housing has transformed Millers Point into one of Sydney’s most expensive suburbs, new data shows.
  • The suburb’s median house price as of the end of September is $2,401,000, making it more expensive than prestigious Killara, at $2,395,000, McMahons Point at $2.25 million and Waverley, $2,145,000, according to Domain Group figures.
  • This price could rocket even higher with recent sales soaring above the $2.4 million mark.
The house at 32 Merriman Street, one of several government-owned properties sold on the public market in Millers Point. Photo: Supplied
The house at 32 Merriman Street, one of several government-owned properties sold on the public market in Millers Point. Photo: Supplied

On Wednesday evening (4/10/2015), Government Property NSW chief executive Brett Newman announced five additional Millers Point properties had sold across Kent Street and Merriman Street. The most expensive sale was 32 Merriman Street, which sold for $2.65 million.
  • In total, 38 government-owned properties have been sold on the public market in the suburb, raising a total of $87 million, or an average of $2,289,473 per home.
  • “Market interest has remained robust for these historic homes given their unique characteristics and proximity to Sydney’s CBD,” Mr Newman said.
32 Merriman Street was sold on Wednesday for $2.65 million. Photo: Supplied
32 Merriman Street was sold on Wednesday for $2.65 million. Photo: Supplied


18-20 Munn Street, Millers Point NSW 2000

c1910 block of four apartments with Barangaroo views

external image w800-h600-2012314920_8_pi_151006_105900"An incredibly rare opportunity exists to reinvent this original c1910 block of four apartments in an iconic harbourside enclave with water views. Directly opposite Barangaroo Reserve and walking distance to Walsh Bay, The Rocks and Circular Quay. "

- Freehold heritage block of 4x 2 bedroom apartments
- Scope to restore subject to Heritage and Council approval
- Each apartment comprises of two bedrooms, one bathroom
- Apartments ranging from 83sqm to 104sqm in size
- Double sized bedrooms, combined bath/shower and high ceilings
- Generous proportions filled with original character features
- Upper level apartments have a large balcony with Barangaroo views
- Rooftop terrace embraces elevated Harbour Bridge glimpses
- Unique opportunity to purchase four apartments all in one line
- Prized inner city locale, walk to theatre, shops, restaurants"

SHR Plan No 2707Image by: Heritage Council of NSWImage copyright owner: Heritage Council of NSW
SHR Plan No 2707Image by: Heritage Council of NSWImage copyright owner: Heritage Council of NSW

Register of the National Estate

Terraces and Retaining Wall, 18-20A Munn St, Millers Point, NSW, Australia

Statement of Significance:

Nos 18-20A Munn Street are of similar period and have sympathetic detailing to the adjacent Palisade Hotel. Together with the large sandstone retaining wall, the hotel and terrace group has a dominant impact on the townscape in this part of The Rocks conservation area (Criterion E.1). The hotel and terrace group is an exceptionally dominant example of the work of The Rocks Resumption Advisory Board in redeveloping the rocks after the plague of 1901.
Terraces and Retaining Wall
Terraces and Retaining Wall
History:


Date not researched. The buildings presumably date from a similar time to the adjacent Palisade Hotel (1911-12). They were part of the major redevelopment of the rocks undertaken by the New South Wales Government through The Rocks resumption advisory board in the years following the plague of 1901. The present buildings are the survivors of a series of six two storey terraces; the others were demolished (1970s?) for expansion of the Darling Harbour port facilities.

Description:

This is a two storey brick building with sandstone trims to the openings. The two storey timber verandah is supported on large squared chamfered timber posts, with Art Nouveau influenced decorative brackets and balustrades. Windows are four pane double hung sashes. Access to 18A and 20A is by a central stair which opens onto an upper landing with a wall to give privacy to each entrance. The row is set high above Munn Street, with access only by a footpath beside the adjacent Palisade Hotel, bounded by a high sandstone retaining wall capped by a cast iron picket fence.
Image by: Lucy MooreImage copyright owner: Heritage Branch
Image by: Lucy MooreImage copyright owner: Heritage Branch

NSW Heritage Register

Millers Point is one of the earliest areas of European settlement in Australia, and a focus for maritime activities. 
  • This Federation style terrace is one of two remaining terraces of an original group of six.
  • Others were demolished for Darling Harbour Port expansion.
  • First tenanted by Department of Housing in 1986.

Image by: Lucy MooreImage copyright owner: Heritage Branch
Image by: Lucy MooreImage copyright owner: Heritage Branch

Description

A two bedroom unit on the ground floor of a two storey terrace built c.1911.
  • The terrace is of face brick with sandstone trim to doors and windows (four pane), and with a two storey verandah with timber balustrading.
  • Storeys: 2 Construction: Face brick and stone walls, corrugated galvanised iron roof.
  • Timber two storey verandah. Style: Federation

Physical condition and/or Archaeological potential: External: Good

Monday, November 2, 2015

Generational Federation houses

Quality, long-held Federation properties in Melbourne

[Previous Post: Church Street, Pymble ... Next Post: ],

'Generational’ houses enter property market

"Melbourne is about to see a rush of residential listings for high-end “generational” properties as a large number of tightly-held homes are offered for sale.

"Many of these properties – including a prime Kew residence held by one family for 99 years – are in the inner-eastern suburbs, where prestige listings are on a roll.
  • Kay & Burton director Scott Patterson said there had been a big rise in the number of quality, long-held properties being listed for sale in October and November compared to previous spring real estate markets.
  • “It’s being spurred on by the confidence people have in the property market,” he said"



Inveresk, 11 Sackville Street, Kew

  • “I have listed a house at 11 Sackville Street, Kew – it has been in the same family for nearly 100 years and never had another owner.
11 Sackville St, Kew has been held by one family for 97 years. Photo: Supplied
11 Sackville St, Kew has been held by one family for 97 years. Photo: Supplied

“I have (also) listed one in (78) Wattle Road, Hawthorn, which has been in the one family for 60 years.
  • “These are generational properties and I have never seen so many of them coming up.”
  • Sackville Street is a stone’s throw from Carey Grammar, Genazzano and other top-tier private schools.
  • Three generations of the Eady family have lived in the cavernous, circa-1916 Federation-style “Inveresk” at Number 11, which is across the road from Carey Baptist Grammar, near Wrixon Street.
  • The home has six bedrooms and occupies a 2,763-square-metre site.
Inveresk, 11 Sackville Street, Kew
Inveresk, 11 Sackville Street, Kew

Mr Patterson said the property was in largely original condition. It is expected to sell for more than $8 million at an invitation-only, private auction to be held on Wednesday October 28.



Ethelstane, 44 Wattle Valley Road, Canterbury

  • In Canterbury, Ian Phillips will bid an emotional farewell to his home when it goes to auction next Saturday after being kept in his family for more than 90 years.
Ethelstane, 44 Wattle Valley Road, Canterbury
Ethelstane, 44 Wattle Valley Road, Canterbury
  • The circa-1910 Edwardian has been loved by three generations, and Mr Phillips, 78, lived there for most of his life.
  • He and his wife Ann raised three sons in the house – all of them now have their own families – and are looking to downsize when it sells.
  • Mr Phillips still holds the receipt for the 100-pound deposit his grandfather paid in November 1921 when he bought the four-bedroom house at 44 Wattle Valley Road for 2000 pounds.

Ethelstane, 44 Wattle Valley Road, Canterbury
Ethelstane, 44 Wattle Valley Road, Canterbury

The couple moved to the next street after they married, and came back after they bought “Ethelstane” from Mr Phillip’s mother.
  • “It is a considerable emotional wrench. Everything is so soaked in memories that it is really quite difficult for me personally,” he said.
  • “My favourite climbing tree as a child remains, as does the beech tree I gave my grandmother from my first pay packet – but it is time to move on.”


Araluen, 207 Lennox Street Richmond


  • The eastern suburbs last month got a taste of the confidence of high-end vendors when one of Richmond’s largest properties, Araluen, at 207 Lennox Street, sold for $5.1 million.
  • It was also dispatched to a new owner via an invite-only boardroom auction at the Armadale office of real estate agent Abercromby’s.
  • Araluen, last traded in 1957, is one of Richmond’s earliest built homes. It sits on 1466 square metres on the south-east corner of Goodwood Street, just over a kilometre from the CBD.
 207 Lennox Street Richmond, Photo: Supplied
207 Lennox Street Richmond, Photo: Supplied

Jellis Craig auctioneer Andrew Macmillan said there was no doubt that the inner eastern market was seeing a large amount of generational change.
  • Domain Group senior economist Andrew Wilson said very big listing numbers were being recorded in the inner east.
  • He said many of these properties were higher-priced properties and generational factors could be having a larger impact on listings than was usual.
Araluen, 207 Lennox Street Richmond
Araluen, 207 Lennox Street Richmond
  • With Christina Zhou

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Multigenerational Home
 Amelia Barnes 

Australian empty nesters choosing to live large


2-4 Mangarra Road, Canterbury

Melbourne couple Ruth and Peter McCall are trading in their federation-style home in Canterbury for an equally large converted community hall in Westgarth following their children moving out of home.

2-4 Mangarra Road, Canterbury
2-4 Mangarra Road, Canterbury
  • “Transitioning into the ’empty nesters’ phase of life doesn’t necessarily mean reducing or compacting your living arrangements or lifestyle, although I understand that for some that’s also quite freeing,” McCall says.
  • “Reconfiguring that space as we are doing by moving from a federation-period home to a renovated community hall allows us to enjoy ‘home’ in a new setting, while not compromising on lifestyle.”

2-4 Mangarra Road, Canterbury
2-4 Mangarra Road, Canterbury

  • The McCall’s new home in Westgarth is a stark contrast to their c1913 home of the past 20 years, with its defined living spaces, period-style interiors and large outdoor living space.
  • The couple will be the first owners to take possession of the converted hall since being renovated for residential use by Melbourne fashion designers of Alpha 60, Alex and Georgie Cleary. The home has featured in numerous design publications and on the Channel Ten television series Offspring.

98 Union Street, Westgarth
98 Union Street, Westgarth

  • “We appreciate the care taken by the outgoing owners Alex and Georgie Cleary who were able to incorporate the integrity of its bones – space, light and rich timber flooring – to offer a creative and flexible space,” McCall says.
  • “Aged in our mid 50s, we enjoy space and the capacity to appreciate our eclectic collection of furniture and artwork and having our sons and friends visit and stay as often as possible,”
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Requiem for Spurling House

Requiem: Spurling House, 38 Black Street Brighton

38 Black Street, Brighton
38 Black Street, Brighton

external image thumbnail.pl?rt17781Destroyed by a suspicious fire on the morning of 31 October 2015, Spurling House, originally known as 'Purno' was designed and built in 1888 by Sydney architect (Canadian born) John Horbury Hunt and was commissioned by Miss Spurling.
  • "It was a building of paramount architectural importance. The house probably stands alone as stylistically the most innovative building in Victoria built during the nineteenth century."
  • "Although based strongly on contemporary American styles this house ignores conventional detailing and develops a new Picturesque idiom at a time when the Classical revival was overwhelming. The house was also one of Hunt's most important works." (Australian Heritage) See also description on page Arts and Crafts Housing in AustraliaSpurling House, Brighton, Vic

Disaster! Toorak residents furious as developer begins demolition of $18.5m mansion
16 St Georges Road, Toorak
16 St Georges Road, Toorak
The shell of the Queen Anne home with work equipment left idle.
The shell of the Queen Anne home with work equipment left idle.
Oct 21, 2015 Emily Power Prestige reporter
$18.5 million mansion destroyedA historic mansion is torn down in Toorak. Video by Emily Power and Kirsten Robb.

Open for Inspection:
31 Telegraph Road Pymble
31 Telegraph Road Pymble
53 Telegraph Road, Pymble
53 Telegraph Road, Pymble
6 Black Street, Brighton
6 Black Street, Brighton
191 George Street, Launceston
191 George Street, Launceston